ian & tieMEDIA
http://redmilkmagazine.com/2017/01/ian-david-baker/
www.harpersbazaar.com
www.dazeddigital.com
www.tmagazine.blogs.nytimes.com
www.thephotographersgallery.org.uk
www.dazeddigital.com

Art & Artists – Edward Lucie Smith
Gay News – Emmanuel Cooper
Arts Review – Iain Finlayson
London Art Review – George Turner: Reviews of one man show Ebury Gallery Dec 1981
Observer Colour Magazine – Caryll Farabli
House & Garden
Arts Review – Review of ‘Masked’ Group Exhibition Ebury Gallery 1981
Arts Review – Guy Burn 1981
London Art Review, Caroline Collier Review of limited edition print Palm Tree at 43 Curwen Studio 1981
Illustrator 7: Interview about illustration in Gay Magazines, 1982
Hamburger Abendblatt: Review of one man show at Revolt Gallery, Hamburg, 23/10/85
Evening Argus 23/3/87
Girl About Town 4/87
Options 4/87
Gay News – Peter Burton 5/87: Reviews of Out of Season Photographic book
Him ’73 – Paul Burton
Gay Times – Peter Burton: Reviews of Younger Days photographic book 1993
Kensington Weekly Times: Review of photo exhibition at Kensington Library 4/9/98

The Male Nude: A Modern View
An extensive catalogue of an exhibition. Foreward by Edward Lucie Smith. Phaidon/Rizzoli.

The Sexual Perspective: Homosexuality and Art in the Last 100 Years in the West
by Emmanuel Cooper. Routledge 1986 & 1995

Out of Season : Photography by Ian David Baker
Essay by Glen Cavaliero. Olive Press 1987. South East England coastal towns out of season.

Fully Exposed: Male Nude in Photography by Emmanuel Cooper
Unwin Hyman 1990

YOUNGER DAYS: Photography by Ian David Baker of male youths – some nudes (over 18)
Forward by Emmanuel Cooper. Editions Aubrey Walter 1993.

Homme: Masterpieces of Erotic Photography. Michelle Olley
Carlton 1999 & 2000.

CRITICS
“I first saw Ian’s work in a very small magazine book that I bought a long time ago, the fun sense of nostalgia drew me in.” Jonathan Anderson Fashion Designer

“Your work has always been of great quality and has lasted the test of time…
you really did capture a great piece of youthful history” David Almond, Model

“Life and Figure drawings, some of much sensitivity”
Max Wykes Joyce: Arts Review

“These series of line drawings stretch his ability and reveal a true talent”
Ian Finlayson: Arts Review

“The drawings taken directly from life have an individual handwriting which makes them memorable”
Edward Lucie Smith: Art & Artists

“There is also a romantic quality in his figure drawings which suggest there is more available for us to enjoy than just the body”
Emmanuel Cooper: Him

“Elegance and control, sensitive yet sure”
George Turner: London Arts